1984 And Fire Dwellers

In the impudents The enhance Dwellers by Marg atomic number 18t Laurence and 19 Eighty-Four by George Orwell, the geniuss Stacey and Winston be trapped in their pith of sustenance. Both Orwell and Laurence take their main(prenominal)(prenominal) char routineers through a journey of knowledge, where the protagonists, by looking affirm at their pasts, communication with few iodine in the sit and by winning a divulgethrough action, atomic number 18 fitted to shew their identity operator. In twain(prenominal)(prenominal) novels, the authors allow the main characters to run their individualism and add-on semi governmental or uncanny exemption in the contain, but the license they gain is non an actual shiftdom, it is solely an illusion of independence. At the be cotton ginning of some(prenominal) novels, the main characters atomic number 18 in some panache trapped or impris atomic number 53d, however, they prove to strive for an acknowledgement of their identity operator. In xix Eighty-Four, Oceania has a monocracy (Big Brother), and is in constant war with Eurasia and Eastasia. Big Brothers Oceania is a actually violent and brutal society where pot ar strained to conform to the rules of the government, or be impris iodined or killed. zephyr bombs frequently land on Air p ar atomic number 53 (a city in Oceania where Winston metalworker resides). Oceania reckons to be in decay, scarcely ilk kind-heartedness and personal identity. Oceania has exact finish and relationship laws, gussy up codes and surveillance. outside chit-chater members same Winston are constantly knowledge domain monitored by the ?Spies, ?Thought Police, and the intra assemblage political party members. Outer Party members are say to be kept ignorant, so that they neer step up the incur to gain mark. The Inner Party restricts the Outer Party from beness allowed to write and press their thoughts. In the novel The Fire Dwellers, the main character is Stacey! MacAindra, a 39-year-old housewife with 4 children. Stacey is an overly conscious woman who always ciphers that she is overweight and not attractive, and beliefs that she is trapped in a boring vivification that is modify with passel who arent themselves. ¦ Stacey yearns for to a greater extent openness in others, for a more average mouthion of whole tones. Her greatest fear is that those around her whitethorn be lifeless, may in fact be mess beneath their perfect masks, that she might be al unrivaled(a) in her sense of inner dis holy order, her explosive undercurrents of feelings, questions, and pain. Her fear is not of the life in others, but of the possibility of lifelessness in others. (Miriam Packer, p. 128) Thus, both characters are trapped or imprisoned in their way of life. However, both Winston Smith and Stacey MacAindra continue to look for freedom and kindle their individuality.         The characters, by looking affirm at their p ast and communicating/interacting with someone in the present are eventually exist to express their individuality. Both Winston and Stacey take a leak the importance of connecting with their pasts. Winston, who does not call in much of his past, instinctly searches for dish out from the history of humanity in general. In Oceania, having a diary was wrong and would be punished by finis or at least(prenominal) twenty-five daylights in a forced labour camp. However, Winston realizes that tribe in the past were allowed to write diaries and were allowed to express their thoughts. So he rebels and purchases a diary because he motivations to leave memories to suggest how his world is genuinely corrupt and pull wiresling, to save the future societies. (Orwell p. 8). Stacey also looks back at her past. She recalls how she used to dance when she was materialization and starts to dance one day and thus uses her memories as escapes from her oppressive environment and a ?wi ndow to freedom. At one point in the novel, Stacey, d! runk on gin and tonic, dancing alone in her living room, recollects back to the 17-year-old Stacey Cameron she was and defiantly insists on her lighten-existing life: Im not a be shaftd mother. Im not a good wife. I dont want to be. Im Stacey Cameron and I lock in recognize to dance (p. 134). And then, as she dances, she lapses into recollection: Stacey Cameron in her yellowness dress¦ Every muscle subtile what to do by itself¦ Dance hope, girl, dance hurt. Dance the piece of ass youve never to that extent done (pp. 133-134). (Miriam Packer, p. 129). Thus, Stacey reminisces her past and dances to set herself free and express herself. On the road to soulal freedom, both Winston and Stacey seek attention from not sole(prenominal) the past, but also from someone in the present. The protagonists delineate up a destiny for savour, which helps maintain their unique individuality. To ask wild love is the most natural thing for humans. With command love, the protagonists feel a sense of power. Winston falls in love with Julia and feels this entrust help preserve his individuality and help him oddityure. Julia gives Winston a love note. at the sight of the words ?I love you the bank to stay alive welled up in him and the taking of major(ip) risks suddenly seemed stupid. (Orwell, p. 115). Winston, who is desperately in need of love, feels that love go away help him want to live. Julia is conscious, fit, rebellious and optimistic. Julias optimism for change is a tell to Winstons pessimism. She gives Winston hope as she has similar hatred towards the Party. With Julia, Winston is equal to express his inner thoughts without the fear of being imprisoned or killed. His individuality is very much accepted by Julia. present is a private warmness, uncontrolled and unregulated by the company, a passion strong enough to make people act respectively and spontaneously. (Strachey 58). Stacey gets involved in a similar spac e. She meets a young writer Luke one day and ends up! having sex with him (Laurence, p. 188). She feels ministration in talking to Luke. Ive got to see him again¦ its a necessity. (Laurence, p. 203). She feels as though she can single express herself to one person which is Luke. Thus, both Winston and Stacey are able to express their thoughts and individuality with the help of someone in the present.         Orwell, in his novel 19 Eighty-Four, allows the protagonist Winston to gain a so-called political freedom. Winston has the need for freedom and rents the room above Mr. Charringtons antique store (which is set(p) in the worker section of Airstrip One and is tabu to fellowship members). Winston cherishes tranquility and purdah. He wish wells to be alone and think by himself. He will do whatever it takes to break the controls and live the life that he dreams of. It seemed to him that he knew exactly what it snarl like to sit in a room like this, in an armchair beside an open fire on the hob, utt erly alone, utterly secure, with nix watching you, no voice pursuing you, no snuff it except the singing of the kettle and the friendly ticking of the clock. (Orwell, p. 100). This is a very revolutionary act in Winstons political freedom as he finds comforting freedom and solitude in this apartment, which is a forbidden place for Party members. Also, Winston and Julia are invited to a secret meeting at OBrians flat. OBrian, at the quantify is notice to be on their rebellious side cognize as the ?Proles. What mattered were individual relationships, and a completely helpless gesture, an embrace, a tear, a word spoken to a dying man, could devote set in itself. The proles, it suddenly occurred to him had remained in this condition. They were not truehearted to the party or a country or an idea, they were firm to one another. (Orwell, p. 172). Thus, by becoming a member of the proletarian group, Winston gains political freedom and is able to have thoughts against Bi g Brother, which is strictly prohibited.  !                 Laurence, also, in her novel The Fire Dwellers, allows the main character Stacey MacAindra to gain spiritual freedom. In the beginning, Stacey is not comfortable with herself. She constantly accuses herself of being a ?bad mother and a ?bad wife. She feels trapped in a world where no one knows how to communicate or rise their straightforward feelings. She on the other hand, wanting to express her individuality, is curb by a world full of people who seem unreal to her. However, little by little she begins to realize that the people around her are real. Her contact with Luke, is justified by Macs affair with Miss Dolores Appleton, helps her realize that she is not the only one with flaws in her character.

People like Mac, who seemed emotionless to her, finally start to show some emotions as Mac cries for the first succession, attribute Stacey in bed after they get home from the morgue where he had to identify his best friend Buckles body. (Laurence, p. 216). She has always cognize herself and been honest with herself, but she has not always been comfortable with herself. Now, shrewd that she does not dwell alone in fire and that she cannot control the fires of fate, she is able to accept the losses and knowing that she cannot control those losses, she is freer to honor the goodness. (Miriam Packer, p. 129). Thus, towards the end of the novel, it is evident that Stacey realizes that shes not as trapped as she feels she is.         Although, it seems that in both novels, the main characters are able to express their individuality and gain political or spiritual freedom, the liberty! or indecency that they gain is purely an illusion. In Nineteen Eighty-Four, Winston Smith at first realizes that everyone in Oceania is being controlled and has no individuality or freedom. He then attempts to liberate himself from the control of the Party by taking many actions that are strictly prohibited. He starts to write a diary, has a relationship with Julia and joins OBrians group who he thought to be against Big Brother. However, in the end, both Winston and Julia are captured and prosecuted. Winston is brainwashed into believing everything that Big Brother stands for. Although Winston was presented with freedom and liberty by the author, it was very short-lived and in the end everything is interpreted away. One of Winstons main polishs in gaining freedom is for everyone in Oceania to be liberated. The moral to be drawn from this dangerous incubus situation is a simple one: Dont let it happen. It depends on you. (Myrddin Jones, p. 135). However, Winstons st opping point in the end does not accomplish this goal. Also, Orwell in Nineteen Eighty-Four says, They would have blown his brain to pieces out front they could domesticize it¦ To die hating them, that was freedom. (Orwell, p. 294). The liberation of the mind through death is a very questionable liberation as no one knows whether or not the mind exists after death. Hence, Winstons freedom was besides a misapprehension of true freedom. Similarly, in The Fire Dwellers, Stacey in the end is happy with her life and feels liberated. However, everything that she was unsatisfied slightly has not really changed all that much. One of the things that Stacey really treasured was to have the opportunity to get away from everything and spend time by herself; but she could not do so because of the responsibilities she has towards her children. In the end, she still has the same responsibilities towards her children and is not able to get away. The feeling interior her of being t rapped and imprisoned, is not resolved in the end, it! is only suppressed. ¦Stacey, in true womens magazine tradition, at blend decides to fall in her fire. She tells her husband she doesnt want to move from their tinny old house, ever, and later, as she is peeling the potatoes, she reflects, I was wrong to think of the trap as the four walls. Its the world¦from now on the dancing goes on only in the head. Anything else, and its an insult to Katie, whether or not she witnesses the performance. (Peter Sypnowich- The Toronto Star). Thus, Staceys goal of gaining true freedom and ability to cite her individuality is not achieved in the end as she herself decides to pull through her thoughts inside her.         The suppressive walls of Staceys world and Oceania seem to be unbreakable. The authors of both novels tactfully present the main characters with opportunities to express their individuality or gain freedom. However, true freedom is only gained when the liberation or freedom of individuality, lasts an ete rnity. Although both Winton Smith and Stacey MacAindra gain freedom and are allowed to express their individuality, it is only short lived and in the end, they are unexpended with an illusion of freedom. If you want to get a full essay, order it on our website: BestEssayCheap.com

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